Guillermo Nasiff

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  • in reply to: First shot – UNEDITED #97277
    Guillermo Nasiff
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      First, I’d like to thank all collaborators for the feedback, advices and suggestions.

      I’ve attached a (phone) image of this picture printed 11x 14, this is the way I cropped for a customer that wanted this print, clean, with its natural colors. (Sorry it came out sideways).

      I feel a bit uncomfortable when somebody else manipulate my images.
      For me photography is like cooking: you can take advices to improve your sauce, but you don’t want anybody to put their hands on it. I think the mail point of “The Shark Tank” is to help others improve theirs skill by giving your opinions, otherwise the wheel is turning to a different direction.

      AGAIN, thanks for your opinion.

      in reply to: In a lonely beach of Acadia Park #97032
      Guillermo Nasiff
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        Totally agree with you Reiner, I’m a “bracketer” but in this handheld case I was standing in the ocean, yes in the water.
        I missed the cance to get a dreamy shot.

        in reply to: Listening to the master #97030
        Guillermo Nasiff
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          It wasn’t easy to get to this point.
          My first watermark were bigger that the picture itself.
          I guess I was OVER confident. Ha!

          in reply to: In a lonely beach of Acadia Park #97028
          Guillermo Nasiff
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            Here’s a version closer to reality.
            Brought the whites don to -45, black to -13, shadows up to +45, some green and yellow pitched up and sharpening.
            I guess the main problem was the position of the sun at that time along with the fog.

            in reply to: Elle – Noir in colors #97014
            Guillermo Nasiff
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              Thank you for your feedback, Julian.

              The harsh shadow was intended to create a film noir-like image as the title of this pic is Noir in Colors.

              in reply to: Listening to the master #97011
              Guillermo Nasiff
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                Thank you for the feedback Michael.
                Most of my images online have the watermark but not my prints. My customers wouldn’t be too happy about it.

                I could post it in some other forum, if you have any suggestion.

                in reply to: Feed back, Please #96747
                Guillermo Nasiff
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                  The easier way to flip a JPEG is by open it with PREVIEW (just a double click will take you there), then go to TOOLS then FLIP HORIZONTAL. Done.

                  in reply to: Elle – Noir in colors #96744
                  Guillermo Nasiff
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                    I see what you mean, Joanna.
                    Originally was leveled but in the post production I rotated it about 30 degrees.
                    Will put it back to its original angle.

                    Thanks for your feedback.

                    G.

                    in reply to: bluff road/spring #96708
                    Guillermo Nasiff
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                      I mean the empty sky flatten the image…
                      With “exactly as intended” you mean the 2/3 of empty sky?… ok…

                      in reply to: Feed back, Please #96696
                      Guillermo Nasiff
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                        I would crop the image evenly starting from the top left corner to get rid of some of the empty sand, but leaving some breathing space.

                        in reply to: bluff road/spring #96694
                        Guillermo Nasiff
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                          Way to much sky, here. I mean empty sky.
                          This is taking 2/3 of your image and flatting the nice elements that you have in the lower third.

                          in reply to: Fence Line, coming to the end of it's usefulness #96693
                          Guillermo Nasiff
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                            Guessing you wanted the fence to be the subject, you should have used a shallow depth of field.
                            My eyes goes straight to the line on top of the fence and the green pins in the back.
                            You can also make of this a monochrome image and sharp the fence to bring up the texture.

                            in reply to: Pirate Training #96504
                            Guillermo Nasiff
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                              Overall I think it is a nice dreamy/candid shot, but I think the logo is eating the foreground.

                              in reply to: The Trump Empire #96426
                              Guillermo Nasiff
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                                A moon within the building could be a nice addition.
                                Will check how dark is the view from that spot at night.

                                Thanks for your feedback.

                                in reply to: Off Camera Flash #96036
                                Guillermo Nasiff
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                                  The composition is pretty good, but the highlights are hitting on her forehead and left shoulder.
                                  IMO you should have used a fill light on the left side and also try to get more light on her arms and foot, whist is part of your primary composition too.

                                  in reply to: Spring night in Long Island City #96030
                                  Guillermo Nasiff
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                                    I was just viewing the raw image and could definitely go without the vignetting.
                                    Totally agree that the 5th of the picture is an empty sky, but I couldn’t help since I was shooting with a custom 20mm prime and cropping this image will cost me quality wise.

                                    Your feedback will help me improve this week’s re-make of this scene.

                                    Thank you so much.

                                    in reply to: Phaleonopsis #96023
                                    Guillermo Nasiff
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                                      THe green background really fades the color of the flowers.
                                      I would have chosen a black background to center the attention in the plant.

                                      in reply to: Spring night in Long Island City #96003
                                      Guillermo Nasiff
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                                        Thank you so much for your opinion @mtrain

                                        I captured this image at the blue hour from a boardwalk that was pitch dark, and added some light to the posts later on and also I added a vignetting, which is probably why it looks even darker.
                                        I could definitely have chosen a different angle.
                                        I shot this one back in April but this week will go back to figure another angle that draw people to the city lights.

                                        Thanks again!

                                        in reply to: Looking for comments on another one #95997
                                        Guillermo Nasiff
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                                          I agree with Joanna.
                                          There are so many elements in the image, and everything seems to be background.
                                          If the spot of light was centered/more intense behind the 2 guys standing there, you’ll have a subject.
                                          If your intention was to show the architecture you’d need better light.
                                          Remember that light is like a “finger” pointing to whatever you want to be seen.

                                          Guillermo Nasiff
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                                            IMO this image has lost its contest (if there’s any) due to the non-stabilized camera and also the lens used.
                                            This is still far from a landscape standard and let me explain why:
                                            You have taken this image at (or around) 10mm, what really distorted over 60% of the image.
                                            The image is blown by the ISO.
                                            I’m guessing that you shoot at this time with no tripod… not even being a sniper you’ll get a clean shot.
                                            Use a remote to avoid camera shaking during exposition.

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